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WEYDEN, Rogier van der Portrait of Philip the Good after oil painting reproduction


WEYDEN, Rogier van der
Portrait of Philip the Good after
Gemälde IDENTIFIZIERUNG::  63854
 1450 Oil on wood, 31 x 23 cm Kunsthistorisches Museum, Vienna The Duchy of Burgundy had its heyday under Philip the Bold, John the Fearless, Philip the Good and Charles the Bold. Between them, they acquired countless new territories, through a cunning combination of astute marriages, timely purchase and the barely legal diversion of other people's inheritances. Rogier van der Weyden received many commissions from the Court of Burgundy. He excelled in portrait. He was not a realist, he did not seek to capture the particular characteristic of his model, but instead tried to create an ideal image. This approach was very popular with his contemporaries, and brought him considerable success in this genre. He was sought after by the grandest aristocrats and prelates, as well as by the wealthy bourgeoisie, who wanted him to record and embellish their features for posterity. Several writers have drawn attention to Van der Weyden's treatment of his sitter's hands, which he almost always painted joined together, discreetly, so as not to distract from their faces, yet quietly present, always serving to underline their serenity.Artist:WEYDEN, Rogier van der Title: Portrait of Philip the Good Painted in 1401-1450 , Flemish - - painting : portrait

 
 
   
      
WEYDEN, Rogier van der
Netherlandish Northern Renaissance Painter, ca.1400-1464
Portrait of Philip the Good after
1450 Oil on wood, 31 x 23 cm Kunsthistorisches Museum, Vienna The Duchy of Burgundy had its heyday under Philip the Bold, John the Fearless, Philip the Good and Charles the Bold. Between them, they acquired countless new territories, through a cunning combination of astute marriages, timely purchase and the barely legal diversion of other people's inheritances. Rogier van der Weyden received many commissions from the Court of Burgundy. He excelled in portrait. He was not a realist, he did not seek to capture the particular characteristic of his model, but instead tried to create an ideal image. This approach was very popular with his contemporaries, and brought him considerable success in this genre. He was sought after by the grandest aristocrats and prelates, as well as by the wealthy bourgeoisie, who wanted him to record and embellish their features for posterity. Several writers have drawn attention to Van der Weyden's treatment of his sitter's hands, which he almost always painted joined together, discreetly, so as not to distract from their faces, yet quietly present, always serving to underline their serenity.Artist:WEYDEN, Rogier van der Title: Portrait of Philip the Good Painted in 1401-1450 , Flemish - - painting : portrait

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| Young Girl Before a Lit Lamp | Judge Peleg Arnold | The Resurrection of Lazarus | Harrison Gray Otis | Go up the cross |

        
 
   
 

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